G.I. Joe: The rise of Cobra

France year 1641, the McCullen Scot has been accused to sell arms to the Scot and French. Instead of being executed by treason, they decide to put a steel mask to him in its head, but to red the alive one. In the future next, a manufacturer of arms James McCullen, through his company MARS, has created a weapon, with the collaboration of I exercise the USA and of NATO, with nanotecnología, which is able to destroy to a whole city. Four noses containing this new technology are going to be sent to the army, the delivery is in charge of the officials of the army Duke and Ripcord. But Cobra, to the control of the Baroness and its army of soldiers fall in an ambush of the force, in last instance are rescued by a group of special force the G.I. Joe, formed by Duty, Scarlett, Breaker and Snake Eyes. All go to the Grave in North Africa, that is where it is the control center of the G.I Joe, to the control of the forces is General Hawk.

Jennifer's Body

Sailing by Addict Trailer, I found an a series of clips of short the Film of Megan Fox and written by Cody Devil, " Jennifer' s Body". Lately, they have appeared reviews of Youtube and Internet about the advanced opening that tube in the Festival of Toronto, some catalogue that it like sweepings and other that they say that it is in good truth, humorous, but not a film of 100% terror. So they forget its expectations to be scared and they are going to see it more like a black comedy about the friendship between women. I hope they enjoy that them as I believe that they enjoyed the pelí.

Final Destination 4

End Destination 4 (Final Destiny 4) is an American film of terror, unlike the three first sequels produced by New Line Cinema, this is realised by Warner Bros. At the moment it is in production and it is released at the end of August of 2009. The film will be written and directed by the Erics Bress and David R. Ellis who already did the second delivery replacing to James Wong when being working in another project.

The film is realised in 3-D Reparto: Actor Bobby Paper Field Nick O' Bannon Shantel VanSanten Lori Milligan Haley Webb Janet Cunningham Nick Zano Hunt Wynorski Krista Allen Ally Rozcos Andrew Fiscella Charlie Kewzer In which it had to be a day of entertainment in the races, Nick O' Bannon has a terrible premonition where strange events cause that the cars lose the control and all crash, leaving shot pieces the vehicles in flames made the launching slips, their friendly die there. When it returns in if, Nick enters a panic attack to him and tries to persuade its fianc2ee, Lori, and its friendly, Janet and Hunt of which leave the enclosure… after escaping, seconds later, the premonition of Nick is fulfilled. The group thinks that it has deceived to the death and that they have an opportunity but at the life, but unfortunately for Nick and Lori, this is only the principle. In accordance with that continues the premonitions and the survivors of the accident pass away one by one, Nick must look for the way to deceive the death again. The film will be released in format 3-D, the 28 of August of 2009. At first, premier for the 14 of August was planned. In Latin America it is hoped that it is released the 28 of September, safe in Mexico where it will be released the 18 of September.

Inglorious Basterds

During the first year of the German occupation of France, Shosanna Dreyfus (Melanie Laurent) is present at the execution of its family at the hands of Nazi colonel Hans Moor (Christoph Waltz). Shosanna is able to escape and flees to Paris, where a new identity like owner and director of a cinema dreams up. In another place of Europe, lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to take brutales and fast retaliation against concrete objectives. Known by the enemy like “the Bastards”, the men of Raine are united to the German actress Bridget von Hammersmark (Diane Kruger), a secret agent who works for the allies, with the purpose of to carry out a mission that will make fall to the leaders of the Third Reich. The destiny wants that all are under the marquee of a cinema, where Shosanna hopes to take revenge itself.

Disney buys Marvel

Disney has announced today the purchase of Marvel Entertainment by the number of 4 billions of dollars (near 2,798 million Euros) in titles and cash. Of this Disney form one takes control of the rights of Marvel and all personages as well as of the cinematographic rights of all the personages of the Marvel factory. The president of Disney has declared that this will give growth opportunities in the long term them. In a personal view, I hope that this does not influence in the publishing line of the company and causes that some personages are more politically correct.

Night at the Museum: Battle of the Smithsonian

Of insurance they will remember that 3 years ago, “Night AT The Museum” carried out by Horseradish tree Stiller, arrived at the screens from cinema at times decembrinas. Being it films familiar, I must confess that yes, it has been the unique film carried out by this “comedian” whom I have liked (I am not fan of its work I feel, it), although the script had some small faults and many personages were hartantes (like the vaquerito of Owen Wilson! that he is castrante). Stille stops being so intense to give a simple action and that is funny efficiently. Amy Adams turns out to be very good election for the paper of Amelia Earhart (I imagine that they will not know who is…) but without a doubt those are other papers that take films. Hank Azaria, doing the paper of a quick-tempered Pharaoh is the star of films, along with its strange accent and stupid overwhelmed with “d's” and all scenes they are quite original.

The personifications of Ivan the Terrible one, Napoleon and To the excellent Capone are parodies, and some extras like stubborn the singing little angels or the mini Einsteins (like your Matt Bellay, Gay Friend), are of the best thing than it has films. In addition, he is worth the pain to see the rejection that undergoes Darth Vader, or I attacked myself at least of laughter. It is a logical familiar film, and he really fulfils his assignment, that is to entertain. He does not have a heavy script, nor pedantic activities. He is fresh and honest and although the premise seems to be just as the previous one, in the end one realizes that is not certain. Without a doubt it is a good option after which are being some summery deceptions, like X-Men Origins: Wolverine or Tranformers: Rise of the Fallen (more of the same… somebody thinks about Narnia). They will leave the good humour, you I can assure… I leave the trailer, H them by the way, is going to you to enchant…

The Taking of Pelham 1 2 3

Then I went to see it night yesterday. In the Seventies a film based on the same book in which is based (or it inspires) this last one, with Walter Matthau and Martin Balsam in the papers became of Denzel Washington and John Travolta, respectively. I have not seen that film, consequently those comparisons that I have read in diverse critics are to me indifferent; aside from which, gentlemen critics, already we know that the present film surely is cagarro compared with the one of then, but make the critic of the tape of Tony Scott, please…

The plot? Then terrorist? that it is made call Ryder (Travolta) it kidnaps a wagon of the meter of New York: or 10 million of $ within one hour pay to him or begins to kill hostages, one by every minute of delay. In the control of the meter, Walter Garber (Washington) is the one who receives the call of Ryder and that he will have to fight with him. Garber does not happen through its better moment: they have degraded to him after to be accused to accept a bribe. The negotiator of the Camonetti police (John Turturro) will try to help Ryder to negotiate with an hysterical and unstable Ryder, that will not doubt in killing hostages to secure its intentions. And the mayor of New York (James Gandolfini), also in low hours, will deal with which the subject does not go away to him of the hands. Therefore, a topical plot for a showy, dynamic and entertained product. Like the majority of the films of Tony Scott.

A script in which it interests, mainly, the part of films located in the tunnels of the meter of New York. Particularly, those images of the meter like the arteries of the city, that can take to a sociological and even anthropological reflection, are the best thing than it is possible to be removed from a film very of the sort to blockbuster. You do not become bored, but you either do not request too much to a product of fast consumption and lapsing to him. In the habitual style of Tony Scott, with fast movements of camera, travellings circular and supposedly suggestive images, the tape has much of aesthetic video and abuses the topics of films of kidnappings. The conversations by radio between Garber and Ryder we have heard surely them in or it remembers similar films to us (Speed, for example). The thing loses bellows in the final part, when the action moves to the streets of the city. In short, a recommendable film like which it is: summery product of good visual invoice, script that more into the hands of Helgeland promised and ephemeral equal result of which an ice cream in the middle of the beach.